RE50/B

 

The SM7 dynamic microphone has a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications. It features excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and other electrical devices.

 

 

Lavaleer

 

Sony

ECM-44

Excellent cost / performance ratio. Ideal for most field applications. Hardwire configuration that is powered by AA-size batteries, black finish.
Accessories: Tie Bar Clip, Foam Windscreen and Carrying Case.
Omni-directional

 

Sony

ECM66

 

 

Designed for instrument applications. Powered by either AA-size batteries or an external power supply. Standard hardwire version, black finish.
Accessories: Single and Double Tie Bars, Foam Windscreen
Cardioid.
 

 

Wireless

 

You know, I'm easy to please. Just give me the best!!

 

That's why I use Lectrosonic wireless systems

 

UM400A                          UCR401

The UCR401 is a high performance compact UHF wireless microphone receiver for mobile applications such as ENG and film production. The compact size, battery and external power and rugged attached antennas are ideal for video camera mounted use. Unique DSP algorithms in the design provide full compatibility with all Lectrosonics 400 Series Digital Hybrid Wireless™ transmitters and variety of analog transmitters from Lectrosonics and some other manufacturers. Power is provided by two AA batteries, typically NiMH rechargeable types, or external DC supplied via a jack on the rear panel.

The UM400A belt-pack transmitter implements the latest digital/analog hybrid technique in a classic Lectro belt-pack transmitter. A 5-pin input jack provides taps for low impedance dynamic mics, electret lavalier mics with positive or negative bias and line level inputs. Input gain is adjustable over a 43 dB range to perfectly match the audio input level for optimum modulation, minimum distortion and maximum signal to noise ratio. Input levels are accurately indicated by two LEDs on the control panel.

 

Field Mixers

 

Sound Designs 302

 

 

click on mixer for more views

 

Developed specifically for audio-for-picture applications, the 302 mixer is the perfect tool for production companies and camera operators wanting to take control of their audio. Stunning for its size, flexibility, control and performance; it is the most compact and cost-effective battery-powered professional audio mixer in its class. The high-efficiency power circuitry runs the mixer from either three internal AA batteries or external 5-18 VDC.

 

Ok, you've got all the mics set, the mixer is ready and I'm hooked to the camera. Oh no, my batteries are dead! That never happens because I use BDS. Excuse me, what did you just say?  I use BDS!! What the Sam Hill is BDS? Read on:
 

The New and Improved BDS v2 Now shorter, narrower, no fuses, and more! Perfect for ENG audio bag rigs and even sound carts, the BDS allows your entire rig (up to six devices) to be powered from a single battery. Detachable, rugged power cables safely connect industry standard audio equipment to a single power source such as the rechargeable NP-1 battery. Regulated 9V battery eliminators also interface the BDS system to equipment that lacks a 12V input.

 

Field Case

 

 

I love things simple, enter the PortaBrace case. I carry the 302, cables to batteries, two batteries plus extra gear as needed. The case has a heavy leather and webbing shoulder strap plus a waist strap so I can hook it onto my belt or pants and not worry about where it will be when I look down

 

Batteries

 

I use IDX batteries for their no nonsense 12 hour charge

 

 

New lightweight high impact molded case. The updated JL-2Plus is perfect for travel, this combination unit is a 60W power supply and dual NP-style charger that will automatically fast charge NiCd (NP-style) in any combination. Quick charge current: 2.3A/16.8V
Charge time: approx. Less than 5 hours / (2) NP-L50 Batteries
Input Voltage: AC100~240 50/60 Hz DC
Output: 60W, 13.8V
Dimensions: 5.94" (W) x 3.1" (H) x 8.34" (D)
151mm (W) x 79mm (H) x 212mm (D)
Weight: 2 lbs. (950g)

 

Other mixers

 

If I need more inputs than the Sound Designs 302 can handle, I turn to my trusty

 

Mackie 1202

 

 

Ok, it's not a end all mixer, but I've never heard a complaint yet

 

Getting from the mixer to the camera

     

 

 

 

Connects most ENG camcorders to portable mixers. A stereo signal is carried through the two XLR-to-XLR cables from mixer to camcorder. The headphone feed returns from the camcorder to the monitor input of the mixer via a third "mini to stereo mini" cable. A quick release connector is available, to easily disconnect before walking away.
 

 

Ok, everything hooked up and running and from my vantage point, I've got great sound. Now what? Well it's time for a story boys and girls.

Once upon a time, I was providing sound for a TV movie. This was a "low budget" feature and they must have spent at least $1,000.00 on everything except me. We're talking about a Budget camera with a fixed lens. Anyway, the signal going into the camera was way too hot for the camera to handle. The camera person did not do a test shot to see if everything was ok, so yes you guessed it, the sound was distorted.  I never knew about this for over fourteen months after the movie wrapped, then I was accused of shoddy work. Can you imagine?

What could have been done about this situation?  Well, the camera person could have shot a few seconds of tape, stopped and listened to the results. That would have let me know that I needed to lower the send to the camera. Another way would have been to record a flash copy of the sound comming out of the mixer before it got to the camera. Ok, how do I get that done? Check it out below!!

 

If you need to save your audio off camera, I offer

 

I record to a standalone mixer with 12 to 48 channels.

At this time, I can only offer you a stereo send to the recorder, but I will be adding a new Sound Devices 8 channel recorder in the near future.

 

Everything listed above rents for $600.00 for five hours or $800.00 per ten hour day.

Over time, add $100.00 per hour.

 

If you book AV-Edit for a week or more, we book at $600.00 a full day . To get this deal,

we need 50% of the total paid in full with the booking.